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Simone Kelly’s
Like a Fly
on a Wall inspires a mixed set of thoughts. On one hand: this book is fun,
the pages turn quickly, and while pumped full of adult themes and some steamy
scenes, it has merit. Jacques, the central figure, is an attractive psychic of
mixed race (French and Moroccan descent). His point of view is often series,
and despite for some elongated sexual escapades that were given more page time
than needed, his plotline tends to stay grounded. The reader learns about his
family, his visions, his rough relationship with his mother and the untimely
death of his father. These revelations build the character and send him between
New York and Miami to investigate the circumstances behind the death of his
father as well as his abilities. And in a way, this plotline is the only one resolved
in the text.
Yet outside of Jacques, the author presents the reader with
a litany of flat characters that serve more as plot devices than anything else.
Kylie, who is by far the most developed of this group, ends up as a trail of loose
ends. One man drops into her life and devastates it, yet Kelly never fully
resolves the story or gives the reader a final direction. In another angle,
Kylie dates an online love, but the final direction of the relationship is left
open despite a multiple chapter focus earlier in the text. Kylie’s mother,
True, suffers the same fate as do her bosses, men she stumbled on to in a
mysterious Miami blackout.
While some of these plot need no resolution, the text itself
suffers when a central figure like Jacques’ girlfriend Vicki vanishes without
much more than passing glance for chapters on end only to play a pivotal plot
role later on. Yes, Kelly entertains the reader with an interesting premise,
but she fails to go far enough to fully captivate and entertain the reader on a
full level.