About
six years ago, I made a point to write on a daily basis, and with this fixation
came a voice. I had one, it was obvious, honest, a bit jaded and sardonic, but
it existed. I could send people a piece of fiction blindly and they would know
it was mine—not by the content, but the stylized voice I had developed. But
back then I was a mid-twenties, searching for purpose and meaning, lost in the cliché
of my own existence type guy. Movies such as Almost Famous and Garden
State captivated me (in many ways they still do). Then poof, life intruded, the dream of being a
writer danced into the back of my brain, hid, and took a long time to return.
Today,
as I have renewed my focus on writing and pursuing my dreams, I have been going
back through my material. I want to know if there is something there worth
working with, or if I should dump it and start anew. The unpublished stories
are laced with the same ideas as the two movies mentioned above, the same conquests
of self-discovery, the constant the dead end to said quest, and the overplayed
personal melodrama such moments bring. Perhaps why they remain unpublished? At
25, working full-time, newly married, one always wondered and considered the
purpose of it all. The mortgage could not be the life dream. The vacation could
not be the goal. The odd moments spent walking, running, or perusing social
networks, the moments where one felt alone, isolated, and unwanted, could not
be what defined life. Yet, as I read the work of a man in that age group, that
apparently was life.
I
remember when I consulted some of college professors about the prospect of
applying for an MFA in Creative Writing. They all had the same message: get out
there, live life, have experiences, and then, once you are a real person start
writing again. Let that person, a person who has something legitimate to both
say and share, decide if they need an MFA and if they want to be a writer. Now,
looking back, I find that this advice was spot on. While I like some of my old stories,
they scream of the MFA story. No one wants to read them. No one wants to wander
through the halls of lost existence, especially those that are lost.
Today,
after nine years of a professional career, eight of marriage, and three of
parenthood, life seems different. I have things to say and I am not sure I need
an MFA to do it. Thus, as I look for a literary voice, a new one not divorced
from the past but evolved from it, I am trying to find the honesty in humanity,
the sense of who and what I am, and how I see the world. This post exists as
the first of many on the subject. What this voice is and where it will lead is
the question.