Showing posts with label Steven Stam. Show all posts
Showing posts with label Steven Stam. Show all posts

Wednesday, April 5, 2017

Published Fiction Archive: Weekday Afternoons


This short piece appeared in the Winter/Spring 2017 issue of Wraparound South. Thanks for the read. 


Weekday Afternoons
            Mother called the women Wine Sippers or Pool Boy Specials. They reminded me of lizards on the sidewalk on a sunny day, only the women didn’t retreat when you ambled near them. Instead, they came closer, threatening to slosh sour grape juice on your sleeve, into your hair. Starting in late afternoon, they lined the neighborhood streets, glasses of red or white perched in boney fingers as they glared at passing vehicles as if using the road for travel was a crime, as if driving the posted twenty-five miles per hour equated to damnation.
            Bobby’s mom always drank a glass of red that looked purple. She’d chat and stare into space, claiming to watch us, but as mother noted, the women claimed to be everything they were not. Then Bobby attacked me with an axe.
            Mother’s Hoe Bags and Soap Opera Bitches—the women, supposed to be paying attention and participating in the growing lives of their spawn while their husbands were litigating or medicating or philandering their way to inflated bank accounts, just jibber jabbered and drank while a six year old boy sauntered by with his daddy’s yard tool. After a day of television, yoga, and tennis, gossip seized center stage, and they missed Bobby’s two handed struggle with a wooded pole almost as long as he was tall. They missed lots of things: from water balloon sling shots to roof top climbing adventures to young eyes watching them change through windows.
            To Bobby, it didn’t matter that I was two years older or that I hadn’t done anything to him, he told me he was going to get me. At eight, when you’re casually playing with a six year old, you don’t expect an attack. We’d been engaged in some combination game of tag and Kick the Can native only to our neighborhood and our particular street. Rules were arbitrary, a fact that has never really changed in life. But on that day I cheated: I didn’t stay in jail while base was guarded, and Bobby got angry, threatened to hurt me. No one else seemed to care.
            He called me something strange, some garbled pejorative like “You Gerbilstylicaiospussotomy.”
            I smarted back with a pointed sticks-and-stones based line and he broke.
            “I’m going to get my daddy’s axe,” he said.
            I laughed, shot an, “I dare ya,” back his way. His eyes welled up. A tear slithered down his face. I taunted more. An obnoxious face here, a verbal jab there, a cruel one about his recently departed dad. Everyone agiggled.
            He stormed into the women, weaving through their fake, forced laughter, and stomped into his garage. We thought he was joking or didn’t really think at all and resumed chasing, teasing, trumping each other. As Bobby returned, hugging the axe in his spaghetti arms his mother smiled through her son, seeing only a faded visage of perceived existence instead of a thinking, acting object of passion.
            Often, I wondered what she was thinking in that smile. Did she see a son hopping along in fits of joy? Did she overlook the worn white handle, the blade crusted in dirt? Did she see the husband that had been kicked out of the house? I’d heard mom talk about that, had used it as ammo in my verbal crusades. Blunt, yet sharp, Bobby held that axe tight, considered it his prize, and truly meant to hit me with it.
            As the Mom’s Botox Brood rambled on about their husbands, complaining it had been away too long or not long enough or that their elbows hurt from tennis or their yoga pants didn’t fit quite right and that they needed more down dog and pigeon, a boy ran at us with an axe he could barely carry. These women that my mother stared at and complained about reacted with giggles and sips. Then came the first thud, a steel blade slamming into the earth. Damp ground engulfed the metal edge. Somewhere, as Bobby struggled to right himself from his stumble, as he tried to pull the axe out of the ground a foot in front of me and a few inches to the left, they started to see: a six year old boy was crying, screaming something about I-told-you-so and follow-the-rules while tugging at a potential murder weapon.
            When I went out to play, mother never followed. I was safe. But was I? The community was sheltered, the roads slow, the Trophy Wenches abound, yet axe blades vaulted through the air. As Bobby swung a second time, as any kid younger than ten scattered, screaming, the women reacted. A wine glass shattered. Running, I don’t remember opening my front door, but apparently I slammed it, and large shards of glass fell from the door’s now broken window. Mother screamed, I hid.
            Responding to the clamor, she’d asked what was wrong, why I’d broken her door, and upon hearing the truth, about the axe and spraying dirt and laughing women, she had gone to ask them why. Soon I’d be punished, screamed at for being a kid and doing what a kid does, but first she needed to inquire and defend. She wanted to know why, why had the chaos reigned, why had it been allowed? Mother was laughed off by the women, greeted with the resentment of an exile and an outcast. Nothing had happened they said. Despite the ruts in the ground, despite the bent spokes in my abandoned bike and the blunt slice in my seat, the women stood solid in their convictions. Nothing happened, nothing could happen, not here, not ever. This place, this neighborhood, this street, was safe.

Tuesday, November 1, 2016

Published Fiction: Visages of a Queen


This short piece of fiction originally appeared in the Australian Publication, The Suburban ReviewClick here for an interview that appeared in the same publication.

Visages of a Queen
Marie scoured the internet for pictures of Queen Elizabeth II. Whether in the monarch’s young days of moldy beauty or the woman’s later years of austere blue-haired awkwardness, Marie found solace in the Queen. The candids, the lip puckers sent her into tizzies. In lieu of homework, Marie cackled for hours, imitating the faces and creating debonair smiles and frog-faces for her Camera Roll. Not that she was British. Not that she even liked idea of the Queen—monarchs and monarchies and power centered on birth all seemed far too archaic and distant—alien even. But Marie found the woman adorable, and inundated those few people she dared label as friends with texts and Snapchats attesting to that fact. The recipients never asked why and the topic never entered public conversation.
Upon switching schools, Marie capitalized on a teacher’s concerned willingness to grant her unfettered access to the school’s graphic design studio. She spent hours on Tinkercad crafting 3D-models of the Queen’s lips, her facial structure, eyes. Marie strove to construct the woman from scratch and print her out in melted, translucent plastic. Then she would share plastic floating heads, hand them out, let them all see. Even more so, she wanted to combine old eyes with young mouths, stern glares with awkward excitement—the ultimate make-your-own idol adventure. The ability to create, to digitally explore generated temporary satisfaction. When the busts came out right Marie imagined they could speak. She asked them questions about William and Charles and the lasting faults of British imperialism. The latter always received the shakiest responses, but Marie remained wary of alienating her fabricated friend.
The only window in Marie’s second floor bedroom pointed south and overlooked the weed-infested backyard of her family home. At age twelve, she’d covered the window with foil in an effort to combine her growing subversive nature with a quest for darkness. Each night, after relinquishing her electronic devices at the appointed hour, she stared at her northern wall. She imagined there was a window there and that, through it, she could gaze across the street into her neighbor Ryan’s bonus room and that he might walk by, perhaps wave. Marie conceived a conversation between the two, a shared sideways glance, and then, after a few moments of discussing her thoughts with the queens, she slept off the confused pangs of teenage wanting. This cycle defined her and marked her days as she plodded forward.
Marie’s father agreed to pull her out of private school in an effort to save her from the daily grind of what clothes to wear and where they were bought and what status the articles signified. Marie wanted to compose music, sculpt clay, melt plastic, splatter paint on a canvas. Her father didn’t care. Art school felt right, cheap. He had decided that he’d do anything to keep her from cutting herself again, anything but a week in the hospital and bandaged wrists and teacher complaints over scab picking and Band-Aid begging mid-class. When blonde hair became jet black he shrugged, when the upper ear needed piercing he gave in, the star at the base of her wrist, the star to hide a scar placated his fears. He began to trust her, to ignore her teenage whims. Yet at night, he still searched her phone scanning subtweets and photostories for cries of help. Some nights he crawled into her room. He never ran his fingers through her hair or planted his lips on her forehead, yet he longed for the acceptance of such paternal actions. Instead he caressed the queens, rubbed their jagged perms, and felt slight pangs of plastic emptiness. Always awake, Marie treasured these intrusions, for in these moments of shared secrecy, she felt loved. The Queen never spoke.

Tuesday, April 5, 2016

Published Fiction: Misplaced Bodies



Thanks to the folks over at Maudlin House (give them a few clicks) for publishing my strange piece "Misplaced Bodies." I wrote it for a contest it didn’t win, but after a few revisions I found it a home. Read it here or click over and give them some love there. 



Misplaced Bodies
1
Mitchel examined the road, the coins embedded within. He wanted them, thought their asphalt grave a waste.
Between cars he pried at them with a flat headed screw driver. Three second spurts that created spurts of blood from his skin, spotting the road from scrapped knees.
Honks from horns, before a final ill-timed jaunt.
2
At first Kate detested the waxy skin. Back then she’d harbored a fear of death the contagion, thinking that touching lifeless flesh would alter hers by eliminate lipids and thinning the membrane. After months, she forgot, dropping her gloves and endeavoring to give the right ones, a soft forehead’s kiss of remembrance.
3
Under a microscope, sand is neither white nor grey, but a kaleidoscope of shell bits. Conch here, scallop there dotted with rocky quartz. On certain beaches, the sand is coarse, brittle, the sand of leftovers, death. Here a close up yields other fragments: incinerated bone basking in the ocean waves, soot of kidney settling in the salt. Each visage littering the oil covered forms of sunbathing teens.