Philip K. Dick’s Hugo Award winning book, The Man in the High Castle, ponders the horrific
but possible idea that World War II had gone the opposite way. Rooted in the
idea that FDR was the USA’s savoir, the leader that indiscriminately pulled the
country out of depression and into a position of worldwide economic and militaristic
dominance, is assassinated in the 1930’s. Thus the USA is under a different
steward, one who lacks the necessary abilities to navigate a decade wrought
with peril, and in the end this leader forfeits the war. In this world, the
Germans have divided the United States in two, sharing it with Japan while
dominating it as a whole with their secret police.
A thought provoking world structure is presented. Japan
dominates the East, Germany the West. The Germans have decimated Africa on the
heels of their successful European campaign of genocide, have entered space and
begun intergalactic colonization, and they have their sights set on the East in
an effort to take the world wholly into their grasp. That said, the novel
offers a compelling story, one full of characters that intrigue while working
to establish a universe distinctly different than our own. Germans still hunt
down Jews, most of which have gone into hiding by changing their names and appearances.
Hitler rots in an asylum, having gone insane as the result of disease, and his
cronies and supporters are passing away in due time, leaving messy, nearly medieval
battles of succession. Either way, the quest for the ideal man remains, with
all of those who defy the mold being cast aside and left expendable.
Yet, while the novel mentions German politics and examines a
moment of German succession, the events concentrate more on the state of the
States, specifically in the western half, the one controlled by the Japanese.
Here life has descended into two communities: dominate class of Japanese and a
subservient culture of Americans. The Americans, such as Frank Frink and Robert
Childran hold the Japanese in high esteem, wishing to serve them, earn their
respect, and come to understand their culture. On the other hand, the Japanese view
the Americans with a degree of curiosity, collecting relics of American past,
relics that Americans once mass produced and now go to great lengths to counterfeit.
Collectors, such as Tagomi strive to understand their surroundings, live in
fear of their German partners, and constantly consult the I Ching for answers. The mysticism of the oracle rains supreme,
answers their questions, and writes their future.
Strangely enough, the book’s title is owed to writing within
the writing. A book within the book, The
Grasshopper Lies Heavy, comes from an author reputed to live in fear,
hiding out in a high castle protected by security in order to keep the Germans
at bay, for the author known as Abendsen has written a novel in which the
Germans are defeated and the Americans win the war. Such material boarders on
treason and thus leaves the author open to attack, hence his secure hiding spot.
While the alternate reality here isn’t the same as the truth, it creates ire
among the German secret police, inflames the masses, and calls the war itself
into question. This ponderance hits on one of the books main points: what is
reality, how is it determined, and where is our plain of existence. Are we a
book with a book? A truth? Or are we at the mercy of the Oracle. In the end the
novel asks more questions than answers, yet serves as a satisfying glimpse into
a world that never was from the world we hope that is.
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