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Frank Miller’s iconic graphic novel,
Batman: The Dark Knight Returns confronts an
aged Bruce Wayne living a life of excess and long retired from living a double
life as Batman. Yet Gotham has once again descended into darkness and despair. Such
a world seeps through each and every page of this comic, revealing a gritty,
dark, and cringe worthy universe. Miller paints the picture of the millionaire
in retirement, but not the reclusive hidden pair of eyes found in Christopher
Nolan’s movie trilogy, but that of a socially active man in a world that is
suddenly starting to crumble around him.
Starting with Bruce seeking thrills through racing cars.
Miller displays a Gotham City free of the super-villains (the Joker has been
sitting silently for years in Arkham), but besieged by the rise of a mutant
gang bent on causing mischief just because. It is ultimately this gang and the
impending retirement of Commissioner Gordon due to age that lure Batman out of
his ten-year retirement. Suddenly the city is no longer free, life is now full
of risk, and Wayne cannot sit back on his haunches, especially when a
rehabilitated Harvey Dent, compete with a surgically repaired face, strikes out
and returns to the life of crime. Despite every dollar he could spare, Wayne
could not turn Dent back, could not rehabilitate the man. He feels like a
failure, and more now than ever, this failure shoves Wayne back into the fire.
Having paid for Dent’s rehab, Bruce cannot allow the man to
run amuck and reek carnage. Thus he dawns the mask, notes his age, his slowed
reflexes, the increased pain. Everything used to be so easy, but now, aged yet
strong, lumbering yet graceful, Batman becomes the controversy of the city and
soon the new police commissioner. In a plot arc that forces Batman to confront
the mutant crime leader multiple times, to admit the failure of his Dent
project, and to duel Joker, Wayne ultimately must confront himself. No longer
can he lead a double life, his retirement proved this fact, but no longer can
he Bruce Wayne. Batman has and is his calling, a vocation of danger, a temporal
position for which he must find a successor.
But what makes this graphic novel great comes in the
political satire as well. Written in the mid 1980’s, Miller explores the cold
war and the effects of nuclear war. America is the great hope of the world, but
only as long as Superman is in the fold, a position the icon struggles to hold
in a world that doesn’t seem to want the superheroes it needs.