Batman: White Knight, A review

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As a sucker for a creative comic/graphic novel, I seized on the opportunity to read Sean Murphy’s Batman: White Knight. Written on DC comics black label, the collection of eight issues (the hyperlink above takes you to the collection) explores an alternate universe in which Batman has official run amuck with the law to the point in which he is placed in prison. These facts are established early on, as the opening pages shed light on a Batman in chains and a Joker free from the scrutiny of the law. This fact is not a typo or misprint, and in this universe Joker has successfully become a public hero and Batman, the ying to his yang, has become the enemy of the public.

While the validity argument of Batman as a hero is old hat, this limited series digs far deeper than the classic good versus evil battle. Batman’s crew, ranging from the current version of Robin, to ex-partners gone AWOL, to Batgirl, all question the worth of the man. Is he good for the city, is his quest to take down Joker and his band of villains worth it? Can they, his current and once trusted hands, deal with not only Batman, but the mystique of former sidekicks no longer living in their world? Further, the pages explore the financial cost of flying state of the art military technology through a city, actions that basically destroy the metropolis on a nearly nightly basis and the truth at the heart of Mr. Freeze and Gotham City itself. Packaged neatly and acutely self-aware, Murpy authors a quick, mature journey through the heart of Batman lore.

Frank Miller’s Batman: The Dark Knight Returns A review

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Frank Miller’s iconic graphic novel, Batman: The Dark Knight Returns confronts an aged Bruce Wayne living a life of excess and long retired from living a double life as Batman. Yet Gotham has once again descended into darkness and despair. Such a world seeps through each and every page of this comic, revealing a gritty, dark, and cringe worthy universe. Miller paints the picture of the millionaire in retirement, but not the reclusive hidden pair of eyes found in Christopher Nolan’s movie trilogy, but that of a socially active man in a world that is suddenly starting to crumble around him.

Starting with Bruce seeking thrills through racing cars. Miller displays a Gotham City free of the super-villains (the Joker has been sitting silently for years in Arkham), but besieged by the rise of a mutant gang bent on causing mischief just because. It is ultimately this gang and the impending retirement of Commissioner Gordon due to age that lure Batman out of his ten-year retirement. Suddenly the city is no longer free, life is now full of risk, and Wayne cannot sit back on his haunches, especially when a rehabilitated Harvey Dent, compete with a surgically repaired face, strikes out and returns to the life of crime. Despite every dollar he could spare, Wayne could not turn Dent back, could not rehabilitate the man. He feels like a failure, and more now than ever, this failure shoves Wayne back into the fire.

Having paid for Dent’s rehab, Bruce cannot allow the man to run amuck and reek carnage. Thus he dawns the mask, notes his age, his slowed reflexes, the increased pain. Everything used to be so easy, but now, aged yet strong, lumbering yet graceful, Batman becomes the controversy of the city and soon the new police commissioner. In a plot arc that forces Batman to confront the mutant crime leader multiple times, to admit the failure of his Dent project, and to duel Joker, Wayne ultimately must confront himself. No longer can he lead a double life, his retirement proved this fact, but no longer can he Bruce Wayne. Batman has and is his calling, a vocation of danger, a temporal position for which he must find a successor.

But what makes this graphic novel great comes in the political satire as well. Written in the mid 1980’s, Miller explores the cold war and the effects of nuclear war. America is the great hope of the world, but only as long as Superman is in the fold, a position the icon struggles to hold in a world that doesn’t seem to want the superheroes it needs.